Mahakavi Subramanya Bharathiyar was born on December 11, 1882 in Ettayapuram, Madras Presidency, India & died on September 11,
1921 in Madras, India, was a Tamil poet from Tamil Nadu, India, an
independence fighter and iconoclastic reformer. Known as Mahakavi
Bharathiyar (the laudatory epithet Maha Kavi meaning Great Poet in many
Indian languages), he is celebrated as one of South India’s greatest
poets. Bharathi was prolific and adept in both the prose and poetry
forms. He was one of the early Independent poets and played a vital role
in pioneering the Independence movement in its infancy stages in Tamil
Nadu. He is well-known for his simple yet stirring use of the language.
Mahakavi Subramanya Bharathiyar was born to Chinnasami Subramanya
Iyer and Elakkumi (Lakshmi) Ammaal as “Subbayya” on December 11, 1882 in
the Tamil village of Ettayapuram. He was educated at a local high school called “The M.D.T. Hindu College” in Tirunelveli. From a very young
age he learnt music and at 11, he was invited to a conference of
Ettayapuram court poets and musicians for composing poems and songs. It
was here that he was conferred the title of “Bharathi” (“one blessed by
Saraswati, the goddess of learning).
Bharathi lost his mother at the age of 5 and his father at the age of
16. He was brought up by his disciplinarian father who wanted him to learn English, excel in arithmetic,
become an engineer and lead a comfortable life. However, Bharathi was
given to day dreaming and could not concentrate on his studies. In 1897,
perhaps to instill a sense of responsibility in him, his father had the
14 year old Bharathi, married to his seven year younger cousin,
Chellamal.
After this early marriage, Bharathi, curious to see the outside world, left for Benares in 1898. The next
four years of his life served as a passage of discovery. During this
time he discovered a country in tumult outside his small hamlet.
Bharathi worked as a teacher in Madurai Sethupathy High School (now a higher secondary school) and as a journal editor at various times in his life.
During his stay in Benares (also known as Kashi and Varanasi),
Bharathi was exposed to Hindu spirituality and nationalism. This
broadened his outlook and he learned Sanskrit, Hindi and English. In
addition, he changed his outward appearance. It is likely that Bharathi
was impressed by the turbans worn by Ayyavazhi people (being a tradition
in Ayyavazhi society, turbans represented the crowns worn by kings) and
started wearing one himself. He also grew a beard and started walking
with a straight back.
Soon, Bharathi saw beyond the social taboos and superstitions of
orthodox South Indian society. In December 1905, he attended the All
India Congress session held in Benaras. On his journey back home, he met
Sister Nivedita, Vivekananda’s spiritual daughter. From her arose
another of Bharathi’s iconoclasm, his stand to recognise the privileges
of women. The emancipation of women exercised Bharathi’s mind greatly.
He visualised the ‘new woman’ as an emanation of Shakti, a willing
helpmate of man to build a new earth through co-operative endeavour.
During this period, Bharathi understood the need to be well-informed
of the world outside and took interest in the world of journalism and
the print media of the West.
Bharathi joined as Assistant Editor of the Swadeshamitran, a Tamil daily
in 1904. By April 1907, he started editing the Tamil weekly India and
the English newspaper Bala Bharatham with M.P.T. Acharya. These
newspapers were also a means of expressing Bharathi’s creativity, which
began to peak during this period. Bharathi started to publish his poems
regularly in these editions. From religious hymns to nationalistic
writings, from contemplations on the relationship between God and Man to
songs on the Russian and French revolutions, Bharathi’s subjects were
diverse.
He was simultaneously up against society for its mistreatment of the downtrodden people and the British for occupying India.
Bharathi participated in the historic Surat Congress in 1907, which
deepened the divisions within the Indian National Congress between the
militant wing led by Tilak and Aurobindo and the moderate wing. Bharathi
supported Tilak and Aurobindo together with V. O. Chidambaram Pillai
and Kanchi Varathaachariyar. Tilak openly supported armed resistance
against the British.
In 1908, he gave evidence in the case which had been instituted by
the British against V.O. Chidambaram Pillai. In the same year, the
proprietor of the journal India was arrested in Madras. Faced with the
prospect of arrest, Bharathi escaped to Pondicherry which was under
French rule. From there he edited and published the weekly journal
India, Vijaya, a Tamil daily, Bala Bharatha, an English monthly, and
Suryothayam, a local weekly of Pondicherry. The British tried to
suppress Bharathi’s output by stopping remittances and letters to the
papers. Both India and Vijaya were banned in British India in 1909.
During his exile, Bharathi had the opportunity to mix with many other
leaders of the revolutionary wing of the Independence movement such as
Aurobindo, Lajpat Rai and V.V.S. Aiyar, who had also sought asylum under
the French. Bharathi assisted Aurobindo in the Arya journal and later
Karma Yogi in Pondicherry.
Bharathi entered British India near Cuddalore in November 1918 and
was promptly arrested. He was imprisoned in the Central prison in
Cuddalore in custody for three weeks from 20 November to 14 December.
The following year Bharathi met with Mohandas Karamchand Gandhi.
His poetry expressed a progressive, reformist ideal. His imagery and
the vigour of his verse symbolise Tamil culture in many respects.
Bharathiyar advocated greater rights for women. His verse called for
emanicipation for women and put a premium on their education. He
visualised a modern Indian woman with distinctive features.
(The new age women will learn many intellectual texts. They will set the base for many scientific discoveries that facilitate human life. They will expunge all backward superstitions in the society. They will, all the same, be devoted to God and present all achievements of mankind as a tribute to God. They will live to earn a good name from men.)
Bharathi also fought against the caste system in Hindu society. Although born into an orthodox Brahmin family, he gave up his own caste
identity. One of his great sayings meant, ‘There are only two castes in
the world: one who is educated and one who is not.’ He considered all
living beings as equal and to illustrate this he even performed
upanayanam to a young harijan man and made him a Brahmin. He also
scorned the divisive tendencies being imparted into the younger
generations by their elderly tutors during his time. He openly
criticised the preachers for mixing their individual thoughts while teaching the Vedas and the Gita.
(There is no caste system. It is a sin to divide people on caste basis. The ones who are really of a superior class are the ones excelling in being just, intelligent, educated and loving.)
Pondicherry is a city of rich history. Bharathiar is one of them who makes it all the more interesting.
He moved to Pondicherry in the year 1908 to escape his arrest. He
took a house in Pondicherry which has been turned into The Bharathiar
Museum now. I visited this museum last Sunday.
What an experience it has been!! Feels like I have been transported to a new land with new thoughts.
The house address is: No. 20, Easwaran Koil Street, Pondicherry – 3
I could not believe that this museum is like a 15 minute walk from my
house. I imagined Bharathiar walking on the same streets as I was. I
wish I could know his thoughts when he was walking in the city.
The museum has a collection of his letters, family photographs and
lot of books. I felt the museum could have been much better. Perhaps a
guide who could explain things to us.
The sad part is the museum does not sell any items like his books or
memoirs. I was really disappointed with that. They do have a great
library which is open on Sundays from 10:00am to 5:00pm. The museum is
closed on Mondays. The timings for the other days are 10:00am to 1:00pm
and 2:00pm to 5:00pm.
Bharathi’s health was badly affected by the imprisonments and by
1920, when a General Amnesty Order finally removed restrictions on his
movements, Bharathi was already struggling. He was struck by an elephant
at Parthasarathy temple, Triplicane, Chennai, whom he used to feed
regularly. Although he survived the incident, a few months later his
health deteriorated and he died on September 12, 1921 early morning
around 1 am. Though Bharathi was a people’s poet and freedom fighter
there were only fourteen people to attend his funeral.
Mahakavi delivered his last speech at Karungalpalayam Library in Erode, which was about the topic Man is Immortal.
The last years of his life were spent in a house in Triplicane,
Chennai. This house was bought and renovated by the Government of Tamil
Nadu in 1993 and named ‘Bharathiyar Illam’ (Home of Bharathiyar). A
Tamil Movie was made a few years ago on the life of the poet, titled,
Bharathy. This classic film was directed by Gnana Rajasekeran. The main
character of Subramanya Bharati is played by a Marathi actor, Sayaji
Shinde.
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